Music as i understand..

The new Ipod nano coming into my life has been a welcome change. The old one, a cute white shuffle, gifted by the sweet lady in love was hardly used thanks to that missing charger cable. But the new one, a video nano, which I got as a prize, she is a beauty! And it has revived my musical sense. Such cool mp3 players sing to your soul. They find their way through your cochlea and strike a chord with the sinews of the heart.

And lemme confess am no expert in assessing music, but given the ear, cochlea and the heart and ofcourse the ipod, I thought I would explain what I think about music and also raise my grouse against the music composers of today.

Music like anything else has beginning, middle and an end. But our composers hardly seem to care beyond the first stanza, They give the song a sehwag like start. And then midway the song squeaks and merely leads to the end, which again yawns and stops.

Let me give you a recent example, am just returning from this movie love aaj kal, decent attempt I should say.(Deepika! Deepika!), but what stayed on my mind and lingered long after the movie got over was this song, “Yeh Duriyaan”. I like the way the singer in sadness serenades the initial lines and hopefully says “Fanah ho sabhi dhuriyaan”. Wow! I liked that line. I run back to my laptop. Download the song. Load it onto the ipod and here I am listening to it.

The song begins with a stylish whistle, and the nice bit I mentioned earlier. Now what happened! I suddenly feel too many unnecessary instruments coming into the composition. Like a sudden symphony kind of an arrangement and then from nowhere a peppy flute for a pretty long time towards the end (this bit reminds me of some song of rahman) and to make things worse few carol singers yelling something in english, Come on! where is the connection. “There is no flow in this presentation” An angry boss would have exploded and laid you off. All these pieces make sense separately, but together, No! This is manipulation. It’s a commercial hit riding on a beautiful start.

I think many Hindi songs follow this trend, Tamil songs too. Harris and Yuvan, Awesome start and that’s that. I guess that’s what software music can achieve. The composer can layer in a lot of instruments and is too absorbed in showing it off. Doesn’t every carnatic raga have a beginning, middle and end. So would Hindustani or classical I presume.

And then there are songs like Saawariya from Swades, a normal low profile start, but the way it builds up, Gayathri Joshi seems to be liking Sharukh more with every line, Woah! the second stanza is better than the first and the final one just took me to another plane..“Jabse mili sajna, tujhse najariya”, nobody can sing those lines with their eyes open, she must have sure prepared herself for this late onslaught!, what a song, Who is this singer? Alga Yagnik?

I think Illayaraja orchestrates the better compositions. I just finished with “Mandram Vandha” from Mouna Raagam and “Kaadhalin Deepam Ondru” from Thambiki endha ooru (yes the one where superstar walks and sings)

Each song has a life, one line leading to the other, I, the listener, am waiting for the next line am actually looking forward to it. Music ought to be a mere facilitator in the entire scheme of things .

I cant remember the second stanzas from Rahman’s ghajini songs or his compositions for Shankar movies (I like uppu karuvaadu and yen vittu thotathil!), but do clearly remember the middle and end portion of Kadhal Rojave, Pachai Nirame or Kannamoochi yenada. While the former is merely notice worthy, the others engage you all through.

Ok next song please…!

Mak

My Second Post is dedicated to AR Rahman.

My Second Post is dedicated to AR Rahman.

I write this with a sense of ownership. It’s like I have stakes in that golden globe they gave him. I look around proudly with an angelic look of “I knew it always, sir. Long before some jury”. I knew this man who I affectionately called Thallaivar (Tamil for ‘The Super Leader’) would grace the rest of the world with his tunes some day, someway.

Slumdog millionaire was an ordinary album for Rahman’s standards. Smart Publicity, Marketing Money and resulting hype the Brits/US people gave to this movie made it a contemporary classic and Rahman known to the world. But Hell, He has wasted his brilliance in atrocious movies like ‘Parthale Paravasam’ ‘Yuvraaj’ and ‘Taj Mahal’.. Its only Poetic Justice he gets an award for Slumdog. And I am not complaining.

I recollect say till some 7 years back, I used to enquire the friendly cassettes shopkeeper on when Rahman’s next tape was releasing. Rahman regularly composed for movies directed by Mani Ratnam, Baradhiraja, Rajiv Menon, Shankar and few Bollywood movies too. Being the earliest to get Rahman’s tape and to hum the new tunes before my friends did, was how I prided in being the Rahman Fan.
But today, thanks to the MP3 format, cheaper storage devices, broadband internet and apple ipods, everybody seem to be listening to the tunes before I do and distributing it freely around. It irks me. But then am not complaining.

Now I cant tell you what my top 5 Rahman songs are, I simply cant. Unless some Mathematician proves 5 = 1000 and gets a Nobel for his study. Its improbable and silly, I mean.

But then what I can tell you is Rahman is brilliant when his songs have a depth and melancholy about them. Rahman’s music is as true as lost love. When the love’s lost and all that lingers is her memories.. Like Anbe Sugama in Parthale Paravasame, Poongatrile/Ae Ajnabee in Uyire/Dil se, En Kaadhale (Duet)… This brand of music is what only Rahman can do. The songs will take you to a level which my written English cant explain. Neither yours.

He has charmed me with Pachai Nirame (Alaipauthey), Smayie (Kandukondein), Strawberry Pennae (Minsara Kanavu), Madhuriaku Pogadhadi(ATM), Yuhin Chala (Swades), Dating (Boys) And hey the recent Masakalli too… Something in these tunes relaxes you. You tell yourself World is not a bad place afterall.
His Sufi-like compositions in Kwaja(Jodhaa Akbar), Arziyaan(Delhi 6) or Chanda Suraj(Vande Mataram) talk to you at a spiritual  level... There might be better composers in each genre, Illayaraja does better melody, His pauses are more intelligent than Rahman's..There are better Sufi composers.. Nusrat Fatehs of the world..but Rahman composes all genres of music in its essence making him a true musician.

 
Adding to the Rahman Special playlist.., Who can forget his love songs...His numerous solo and duet love songs.. like Sonaalum Ketpadhulai(Kadhal Virus), Adhisayam(Jeans), Telephone Manipol (Indian) ..which make you blush like that yahoo smiley.. and end up making a romeo out of you...as sing to your girl friend, only to be told “Stop it and don’t create such noise”.. “Huh” my repartee comes..“Am sorry madame, I am an audience who has stakes with Rahman, I am not his singer, lyricist or piano player.. Am his audience. The Most blest of em all.”. Period.

Rahman, like Sachin, has left a huge impression in the generation that I grew up and growing in. They are common Indian Man's stress buster .  Its exciting to think I’ll tell the future what glorious tunes, Rehman treated me to.

MAK

PS: Hope he wins the Oscar, though it really doesnt matter.